Cgma Houdini How To Work With

I also admired his modesty wellness for helping and sharing some of his coolest production proven techniques, which you wouldnt be able to find elsewhere.

This will include fracturing, RBD simulation, dust, debris, and adding details from real-world reference material.

However, students will learn more than just the technical setups alone - theyll also learn about production pipeline considerations, and innovative unique workflows for art-directing damage (both with without simulation).

By the end of the class, students will have a feature-film-quality destruction shot for their demo reel Building asset provided by KitBash3D.com.

In week 1, well discuss fracturing our 3d geometry to achieve realistic results.

Well cover voronoi and boolean fracturing, debugging common fracture problems, and then create some custom reusable tools (HDAs) to streamline our destruction workflow While creating our destruction HDAs, youll also be introduced to VDB volumes and learn why theyre so useful for various types of processing.

Cgma Houdini How To Work With

Youll also learn what packed geometry is and how to work with it.

Well even create some additional HDAs to assist in our destruction workflow.

Well also develop a mixture of manually-created auto-generated constraints, and learn various clumping techniques for art-directing the simulation.

Some of that geometric detail is added as a post-simulation process.

Well look at real-world reference and add procedural rebar construction detail to our scene.

Well also add in some procedurally sculpted damage detail to the building geometry itself.

Well look at emitting debris from the RBD sim, and go over both particle-based RBD-based options for the secondary debris emission.

Well also create custom HDAs to streamline our RBD-emission workflow.

In week 7, well discuss glass fracturing, the various options available for you to simulate glass shatters, and how to choose which technique(s) are best for your shot.

Its often the most prominent and most visible element, and often the most difficult element to get right In this final week, well discuss my recommended workflows for sourcingsimulating dust, working with collisions, and efficiently caching.

The final look is also highly dependent on the shadingrendering of your simulation, and well cover that important part of the process as well.

Finally, well briefly discuss compositing your rendered elements for a beautiful finished reel-worthy piece.

Keith has also presented some of his destruction techniques at SIGGRAPH 2018, courtesy of SideFX.

He earned a dual-major B.A.

Computer Science Media Study at SUNY Buffalo, and an M.S.

Digital Imaging and Design at NYUs CADA.

I feel as though Ive seriously increased my skill level in Houdini Destruction work after taking his course.

He also answered email questions very quickly and with really detailed replies.